Tucked into an apartment on the Walsh Bay wharves on Sydney Harbour, desk34 guitars
is fuelled by curiosity, a place where science meets art and every instrument is half
lab experiment, half love letter to wood. It’s a passion project with a proudly
geeky streak: each build is shaped by material sustainability, aesthetics and
acoustics. Timbers are hand-picked, rescued for a second life wherever possible, and
each guitar heads out the door with its very own digital passport.
The guitar-building obsession doesn’t stay at the bench. By day, Laszlo is a
corporate executive, so provenance is a bit of a running theme in his life: it pops up
in the boardroom just as often as it does in the sawdust.
These days, nobody builds guitars in a vacuum (the acoustics
would be terrible). desk34 guitars salutes the generous makers who publish their work,
share their secrets and let the rest of us peek over their shoulders. Enormous thanks
to these extraordinary makers:
Casimi Guitars,
Tom Sands,
Michihiro Matsuda,
Michael Bashkin,
Ervin Somogyi,
Trevor Gore,
Driftwood Guitars,
Toscano Guitars (David Gibson)
and Pablo Requena.
None of them can be blamed for what happens on this bench, but the bar they’ve
set is exactly the one desk34 is reaching for, one shaving at a time.